Stéphane Denève is Music Director of the Brussels Philharmonic. With the orchestra he is at the same time launching CffOR (Centre for Future Orchestral Repertoire): an extensive online database dedicated to 21st-century compositions for orchestra with chances at attaining ‘repertoire status’. Stéphane Denève is so passionate about this new adventure and enthusiastic about the orchestra’s potential that he and his family have settled in Brussels.
Meanwhile, Stéphane Denève is Music Director Designate of the St Louis Symphony, and remains Principal Guest Conductor of The Philadelphia Orchestra. From 2005 to 2012 he was the Music Director of the Royal Scottish National Orchestra (RSNO), and from 2011 to 2016 the Music Director of the Stuttgart Radio Symphony Orchestra (SWR). Although he is at home in a very wide repertoire, Denève has great affinity for French music and is particularly committed to 21st-century music.
Recent engagements in Europe and Asia have included appearances with the Royal Concertgebouw Orchestra, Orchestra Sinfonica dell’Accademia Nazionale di Santa Cecilia, Vienna Symphony, Munich Philharmonic, Orchestre National de France, Czech Philharmonic, and NHK Symphony.
In North America he made his Carnegie Hall debut in 2012 with the Boston Symphony Orchestra, with whom he is a frequent guest both in Boston and at Tanglewood, and he appears regularly with The Cleveland Orchestra, New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, St Louis Symphony, and Toronto Symphony.
He enjoys close relationships with many of the world’s leading solo artists, including Jean-Yves Thibaudet, Yo-Yo Ma, Nikolaj Znaider, James Ehnes, Leif Ove Andsnes, Leonidas Kavakos, Nicholas Angelich, Lang Lang, Frank Peter Zimmermann, Gil Shaham, Emanuel Ax, Renaud and Gautier Capuçon, Lars Vogt, Nikolai Lugansky, Paul Lewis, Joshua Bell, Hilary Hahn, and Nathalie Dessay.
In the field of opera, Stéphane Denève has led productions at the Royal Opera House, Glyndebourne Festival, La Scala, Deutsche Oper Berlin, Saito Kinen Festival, Gran Teatro de Liceu, Netherlands Opera, La Monnaie, Deutsche Oper Am Rhein, and at the Opéra National de Paris.
As a recording artist, he has won critical acclaim for his recordings of the works of Poulenc, Debussy, Ravel, Roussel, Franck and Connesson. He is a triple winner of the Diapason d’Or de l’année (2007, 2012 and 2016), has been shortlisted for Gramophone’s Artist of the Year 2012 Award, and is a winner of the International Classical Music Awards 2013.
A graduate and prize-winner of the Paris Conservatoire, Stéphane Denève worked closely in his early career with Sir Georg Solti, Georges Prêtre and Seiji Ozawa. He is committed to inspiring the next generation of musicians and listeners, and works regularly with young people in the programmes of the Boston Symphony’s Tanglewood Music Center and the New World Symphony in Miami.
Prokofiev's Third Piano Concerto with pianist Boris Giltburg and Music Director Stéphane Denève
Guillaume Connesson Kadath & Le soleil couchant (2017)
Igor Stravinsky L’Oiseau de feu (suite) (version 1919)
Sergei Prokofiev Piano Concerto no. 3 in C, op. 26
Perhaps the most beautiful piano concerto ever written with pianist Nicholas Angelich and Stéphane Denève
James MacMillan The Sacrifice: Three Interludes (2005-2006)
Richard Strauss Till Eulenspiegels lustige Streiche, op. 28
Johannes Brahms Klavierkonzert Nr. 2 in B-Dur, op. 83
Under the baton of Stéphane Denève, the Brussels Philharmonic and Flemish Radio Choir pay tribute to the maestro with both great classics and less well-known jewels
Guillaume Connesson Le tombeau des regrets (2017)
Leonard Bernstein Serenade (After Plato’s “Symposium”) (1954)
Leonard Bernstein Chichester Psalms (1965)
Leonard Bernstein West Side Story: Symphonic Dances (1957)