The concept is as simple as it is audacious: 62 string players of the Dresdner Sinfoniker perform on stage in Dresden under the baton of conductor Andrea Molino. Simultaneously, wind players, percussionists, and two choirs from eleven other European musical capitals—from Athens to Madrid, from Brussels to Milan—play live from their home cities. Through ultra-fast fiber optic connections, their video and, crucially, their sound are transmitted to Dresden in real time. There, the musicians are projected life-size and integrated seamlessly into the visual landscape. The audience experiences a complete symphony orchestra with choir—united both optically and acoustically.
Years of development by the Dresdner Sinfoniker in collaboration with Prof. Alexander Carôt of Anhalt University have made this innovation a reality. The challenge was formidable: signal delay (latency) had to be reduced to an absolute minimum—only then can musicians play synchronously across vast distances. That goal has been achieved. What once seemed impossible is now audible proof that technology can serve art without compromising it.
Europasinfonie is far more than a one-time concert. The project envisions establishing a digital platform with permanent “remote studios” throughout Europe. Musicians, orchestras, and composers will be able to rehearse, record, and produce across borders—without the burden of travel, with minimal environmental impact, and open to experimental projects that would struggle to find space in conventional concert programming.
This infrastructure doesn’t just connect cities. It connects creative minds.
As part of the project, European composers are invited to write specifically for this innovative format, exploring the creative possibilities of a digitally distributed orchestra. The three winning compositions will be selected by a distinguished international jury and announced in early October 2026.
Europasinfonie is more than artistic ambition. It is a demonstration of European cooperation in practice—a call for ongoing dialogue among all Europeans, not only in the artistic sphere but in the spirit of partnership that defines the best of what Europe can be. At a time when division threatens, Europasinfonie creates connection. Where borders exist, it creates harmony.
Europasinfonie is co-funded by the European Union through the Creative Europe Programme. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.
Dresdner Sinfoniker (Germany) – String orchestra
Athens State Orchestra (Greece) – Clarinets
Birmingham Contemporary Music Group (UK) – Piano/Celesta & Harp
Brussels Philharmonic (Belgium) – Timpani & Percussions
Czech Philharmonic Choir Brno (Czech Republic) – Choir
Estonian National Symphony Orchestra (Estonia) – Tuba & Trombones
Mozarteum Salzburg (Austria) – Choir
No Borders Orchestra (Serbia) – Trumpets
Orchestra Sinfonica di Milano (Italy) – Flutes
Orquesta Sinfónica de Madrid (Spain) – Bassoons
Pannon Philharmonic (Hungary) – French Horns
Sinfonia Varsovia (Poland) – Oboes
Andrea Molino
Hochschule Anhalt, Köthen: Prof. Alexander Carôt
PxB Studios GmbH
Berlin Fraunhofer-Institut für Nachrichtentechnik (HHI), Berlin
Call announcement: Early May 2026
Deadline for submissions: July 31, 2026
Jury meeting & announcement of winners: Early October 2026
Prize money: 3 x 14,000 euros
2026: European composition competition, technical tests
June 18, 2027: Concert in Dresden, satellite events throughout Europe, worldwide live broadcast
2027-28: Documentation, knowledge transfer, long-term partnerships with European music academies, establishment of low-latency studios
The Europasinfonie project is co-funded by the European Union.
The views and opinions expressed are solely those of the authors and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the EACEA can be held responsible for them.