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Trauermusik
Reinhard Goebel has constantly set the bar for historical performance practices. With an unprecedented musical sensitivity, idiosyncratic interpretations, extremely thorough professional knowledge and, above all, an insatiable desire to discover new early music, he conducted his way straight to the top. He returns to the stage for the second time with the Brussels Philharmonic, presenting the program Trauermusik: he steers clear of pieces such as Mozart’s Requiem, but – as is often his habit – digs deep into the less explored oeuvre of Wolfgang Amadeus’ contemporaries Joseph Martin Kraus and Giovanni Paisiello.