Provided by Logos Foundation, a professional research and production center for experimental music, musical robotics and audio art.
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Palaver is an installation by Logos Foundation (robot builders: Godfried-Willem Raes; interactive application: Hans Roels & Kristof Lauwers).
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Music stripped to its essence—where sound meets silence, and silence becomes sound. In a world full of noise, minimalism creates space for stillness, and that’s where its power lies.
With this programme, Ilan Volkov questions the idea of ‘minimal’: what do we label as such, and what else—seen from another angle—might also be considered minimal? An experimental evening with electronics and voice as key elements.
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Everyone has heard it: the theremin sounds otherworldly, a little eerie. That’s why it so often turns up in sci-fi films and alien soundscapes. Think of Miklós Rózsa’s Spellbound and The Lost Weekend, Bernard Herrmann’s The Day the Earth Stood Still, Justin Hurwitz’s First Man, or TV shows like Midsomer Murders.
Specially for the concert Supra Natural, Logos created the Terman installation. The theremin was one of the very first electronic instruments. At the Supra Natural concert, it sets the stage for a parade of electronics: from a phonograph and a 1907 wax cylinder recording, to tape and live electronics.
Terman is an installation by Logos Foundation
Electronics in the concert hall? Think of it as a spark of invisible magic—something mechanical yet alive, opening up the symphonic sound, enriching it, or pushing back against it. Ilan Volkov brings together four composers who let two sound worlds clash and collide—or seamlessly blend.
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Created in the 1980s, the Holosound installation by Logos and Godfried-Willem Raes comes from the same period as Brewaeys’ Second Symphony, performed in the concert Fasten Seat Belts! Both are striking examples of Flemish sound art and contemporary music that gained international recognition in the late 20th century.
Holosound is an installation by Logos Foundation – discover Holosound before and after the concert Fasten Seat Belts!
With Ilan Volkov at the helm, the Brussels Philharmonic presents the Second and Sixth Symphonies by Luc Brewaeys: in the latter, Brewaeys brings together everything he stands for - the vibrant coloration of 20th-century spectralism, a bold orchestral configuration and a confrontation with electronics. Clearly influenced by that élan, Daan Janssens composed a new concerto for violin, orchestra and surround electronics.
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With the LAB-SERIES, the Brussels Philharmonic brings together musical experimentation, interaction, and total experience. Expect bold and eclectic concert nights with unique programmes, pre- and post-concert talks, interactive installations, and immersive listening sessions.
While the LAB concerts push musical boundaries, these films by Lynch, Tarkovsky and Von Trier do the same in cinema.
LAB-SERIES (season 25-26)
pure sonic mind-expansion: from dreamy soundscapes to raw noise and otherworldly symphonies — these are Castelló’s favourite tracks
